Staring at the Sun, and how We Are Charlie fight demons

Note: This is part two of my interview with We Are Charlie. Completists should probably read part 1 first.

I’ve been sitting down with two members of We Are Charlie at Pop Filter Studios in Pretoria. I’m intrigued by what they tell me about their recording process. Beyond their straight-cut lyrics, they even strive for honesty and reality in the music itself.

“This time around,” lead vocalist, guitarist, and lyricist Dylan Christie says, “we really put in the effort. We said, you know what, we’re not going to go into the studio unless we’ve really put in the effort, listened to the songs, tried them out on stage, feel the song, and then we’re like ‘Okay, this one, we’re still not over it, let’s record it.'”

Floris Groenewald

Floris sometimes writes things when he’s not watching movies or playing video games or editing videos or folk-rock singing/songwriting.

We Are Charlie - Let's Stare at the Sun. Picture by Lourens Smit

Staring at the Sun, and how We Are Charlie write honest songs

I met Dylan Christie and Wesley Reinecke on an ice-cold night at Pop Filter Studios in Pretoria. It’s right behind Menlyn. The third member (and bassist) of We Are Charlie, Rowan van Eeden, was away on a trip to Germany. But between Dylan & Wesley, they had more than enough to say.

“I think Pop Filter Studios is a great place,” Wesley, the drummer, raves. “I think many people don’t realise what a great place it is or actually haven’t heard of it. As for the facilities, the acoustics are flippin’ awesome. There’s not just one live room or one iso booth, or some guy’s home made studio. It’s international standard studios and spaces. And the gear here is phenomenal.”

Floris Groenewald

Floris sometimes writes things when he’s not watching movies or playing video games or editing videos or folk-rock singing/songwriting.