It’s pretty hard to organise an event with an all-star lineup. For one thing, you can’t have every band be the headliner. So at this past Sunday’s OneSight Acoustics event at the Good Luck Bar, you’d have had to be there at 2pm already, if you wanted to see December Streets, BCUC, Reason, and DJ Invizable – all big headline acts. The next event, on 27 November, features Freshlyground, Josh Kempen, Bongeziwe Mabandla, and Half ‘n half, and we’re giving away a set of tickets below!
October saw the release of Aidan Martin‘s latest single Refugee, a tour-de-force rock and roll anthem perfectly fitted for tense political state of mind the world finds itself in lately.
Aidan Martin is the real deal. With a career stretching for almost a decade, Aidan has been touring, moving around and adapting. A true musical refugee in every sense of the word, never settling for what is given to him, swimming upstream from the norm for a place to call his own. Aidan Martin is one of the true few keeping rock & roll alive in South Africa.
Park Acoustics is firmly established as Pretoria’s primary, regular must-attend one-day music festival. This November, they’re putting on a special Saturday end-of-year event on the 26th, featuring the usual music and comedy stages, but also the Griet 8th Birthday Stage and Bobbejaan Street Theatre in the evening, and a Movember Silent Disco. BONUS: We’re giving away a set of tickets (see below).
It’s hard to organise a music festival. There are many obstacles in the way. But even the best-managed, with a good, experienced team behind it, fails sometimes. Unfortunately, we heard today that A Place In The Sun festival has been cancelled – for the time being, at least. Full details below…
Though tempting, it’s hard to call Academie a side-project or spin-off band. Yes, husband-and-wife duo Jean-Louise and Alex Parker have been seen in bands as diverse as Dear Reader, Fulka, and ISO in the past, but their new band has practically nothing in common with those acts. We talked with Academie in anticipation of their set at the new festival just outside of Pretoria, A Place In The Sun.
BCUC burst onto stages in the same way that their music knocked down your heart’s door. They might not be the band South Africa deserves, but they’re the band we need right now. With their debut EP Our Truth just released, and their visit to The Good Luck Bar for OneSight Acoustics this Sunday, we asked them a few questions about why taking your time is important…
After scoring the well-deserved Best Live Act MK Award a few years back, The Black Cat Bones exploded. They’ve since become the must-book band for every major music festival around the country, so there’s nothing strange about their slot at the new outskirts-of-Pretoria festival, A Place In The Sun. Oh wait, there is something strange about it: They’ll be sharing the stage with the super energetic, Soweto-based, abstract African band BCUC.
We asked Bones guitarist Andre Kriel about their band, their albums, and what A Place In The Sun will bring.
As we move further and further into the future of convenience and technology, new possibilities are arising to find love, be it scanning dating apps for the perfect partner, stalking the girl of your dreams online or building the perfect mechanical partner that passes the Turing test to keep you warm at night. The Stepford Wife generation.
Tuesday saw the release of the brand new single from the Pretoria based indie/folk act Kabaal klankbaan in which he explores the very real theme of building the perfect girlfriend. You know, one that would not break your heart.
World, meet ‘Robot Girlfriend’.
THIRD TIME LUCKY because two amazing Sunday shows with OneSight Acoustics just isn’t enough. Next Sunday (13 November), The Good Luck Bar hosts the third in a series of four events – this time featuring Reason, December Streets, BCUC, and DJ Invizable.
George van der Spuy, who’s mostly known as the frontman of Capetonian rock band Taxi Violence, has recently launched his career as a solo artist, under the name Crawling King Snake. Along with the announcement, he released a first single, Land of the Blind – apparently a “baptism” for the project, and a preview of a still-to-be-launched EP titled The Gospel According to George. All this is a predictable move that we’ve seen before by rock band frontmen, but there’s something fascinating about the way he’s doing it, and the imagery he uses. We asked George a few questions in an attempt to decipher Crawling King Snake.